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And it also comes with an entirely black finish, along with a few interesting details, including flags of Kenya, the USA, and Italy. Ver 1. But if you want to push the limits in the guitar world, you need to know your basics, as well as how to implement the right gear in proper ways that would fit the context of a musical piece. Nonetheless, this was one of the most popular equalizer pedals back in the day. This is definitely one of my favorite Tom Morello guitars of all time. Finish: Cream/off white. Music. Although Ibanez made this guitar for him by special order, the instrument is almost identical to the company’s GA60SCE which was made commercially. And what’s also really interesting is that this one is not a high-end instrument. Amps, Pedals, Guitars, Bass, Drums, Microphones, Studio, and recording gear, I love it all. This is a 50-watt amplifier that comes with five standard 12AX7 tubes in the preamp section, while the power amp includes two EL34 tubes. This photo dates back to 1950s and the Mau Mau Uprising that happened during the time Tom’s father was living in Kenya. And the most impressive thing here is that this old thing is still active and running smoothly. Although released as a new pedal, there’s actually no practical difference between these two. Although somewhat straightforward according to today’s standard in terms of controls, this amp still has a lot of tone-shaping potential. There’s still a veil of mystery surrounding this brand as it was present for a brief period on the market during the 1960s. I’ve been playing guitar since I was 13 (over 15 years now) and am an avid collector of all thing’s guitar. And this is a classic British amp, delivering those sharp tones with pronounced high-ends and mids and a somewhat “woolly” tone. guitar com. He also has a red Les Paul which he uses for overdubbing he uses in the more recent days of Nightwatchman. It’s not that easy to define what a “guitar hero” is. List of Tom Morello Guitars (Full Overview Below Table) 1. One of his most interesting ones is a nylon-string Ibanez, the company’s GA60SCE model. Reproduction of any part of this website without direct permission is prohibited. He occasionally used it for live performances with Rage Against the Machine and Audioslave. Going to RATM’s early years, Tom used one with a bare metal finish and two Hot Rails humbuckers. After all, you need something big to go with the band’s strong messages in their lyrical themes. It even had some arpeggiator effect modes, allowing for some pretty psychedelic tones. For years I was seeking out this miraculous tone and I was banging my head against the wall trying to get all this horrible rack gear—which I thought made my sound worse—and cab/head combinations, but nothing really worked. Years Used: Late 1990s to now This guitar was used for couple of RATM songs, including “Revolver” and “How I Could Just Kill a Man”, as well as for “Exploder” with the Audioslave. GroundGuitar counts on your criticism and feedback. Since March 2015 one the guitars can be seen at the Woody Guthrie Museum in Oklahoma. Years Used: 1986 to now (although it’s been heavily modified) Tom has two of these guitars. So he went over to a nearby guitar store where he found a Marshall amp and another amp model (it’s still not known which one). You can use your headphones or plug your amp into a mixer or an audio interface and get a tone that resembles Orange’s 4×12-inch cabinets. More Versions. Tom is also the co-founder (along with Serj Tankian) of the non-profit political activist organization, Axis of Justice. Search. But even though it’s a practice amp, the Crush 12 model can certainly deliver a nice punch. There are the basic controls for depth and rate that you find on pretty much all models on the market. Kay guitars were manufactured in Japan, and sold in the US for a very affordable price. Of course, this was his main steel-string acoustic guitar during his time doing The Nightwatchman project. Of course, even after the group stopped working for the first time in 2000, he kept using it for drop D songs, both in the studio and for live shows. Finish: Black with custom details. I was suspicious of the something else so I bought the Marshall and that was it. In more recent years, Tom Morello began using DD-3, presumably as a substitute for his old DD-2. The guitar Tom picked up made a weird high-pitched sound when the toggle was set between two pickups, reason for which was an internal pickup which was picking up this weird noise when it wasn’t supposed to. This is a name of a radical organization in Peru, which is classified by the Peruvian government, the U.S., the European Union, and Canada as a terrorist organization [Shining Path – Wikipedia]. On one occasion he had the guitar connected to a vintage Vox Tone Bender fuzz pedal and a MusicMan amp. Tom Morello is best known for his unique and creative guitar playing approach, with a lot of feedback noise, non-conventional picking and tapping and heavy use of guitar effects. The guitar is dubbed “Black Spartacus”, and Tom even wrote a song about it called “Black Spartacus Heart Attack Machine” – name inspired by Clash’s Mick Jones Clash who referred to his guitar as “heart attack machine”. While we don’t know for sure for how long Tom has been using DigiTech’s XP-300 Space Station pedal, there are documented examples of it in his setup. – Peavey VTM 4×12 Cabinet By default, you don’t expect to hear Tom Morello’s name together with Ibanez. A true passion of mine, I’ve designed, built, and repaired a wide range of guitar amps and electronics. Other than that, we have the standard 5-way switch, master volume, and two separate tone controls. This one is actually intended as a classical guitar with a cutaway body shape, allowing much easier access to higher frets. Tom used this pedal (exclusively only the original vintage model) for the most part of his career, and it can be heard among other during the solo on “Killing in the Name”. St. George guitars are a sort of a mystery. This guitar is finished in black and has a matching headstock and features white binding along the top edge of the body, as well as a mirror pickguard. According the the same interview linked above, Tom did some experimenting in 1988/89 but after a while decided to go back to the Marshall and Peavey combo. It’s not exactly certain when he got this one, but it was sometime in the late 1970s. However, Tom swapped the neck at least four times (according to his own words) and different sets of pickups were in and out plenty of times. But the most intriguing part here is that the pedal became really popular among collectors after it became widely known that Tom Morello uses one of these. However, what’s really exciting here is that these Steelcasters not only feature hollow bodies but are also made out of metal. Tom got this guitar at the time of recording of Audioslave “. Although Tom mostly uses the same exact Marshall that he bought in 1988, he has a couple of them in case something goes wrong with his main one. But in order to keep the Peavey cabinet and not ruin this treasure completely, Tom got another spare one, Marshall’s 1960B model, also featuring four 12-inch speakers. Listen: Tom Morello and Serj Tankian team up to cover Natural’s Not in It, in tribute to Andy Gill. When he finally got his hands on this fine black Fender Aerodyne Stratocaster, done as Factory Special Run for Guitar Center, it became his main guitar during the following few years. At this point, you should know how much Tom loves the obscure and weird stuff. It’s equipped with G12T-75 speakers and can handle up to 300 watts of power. When Morello got this guitar from an LA shop in 1986, he went on to pick and choose every single detail on the guitar. Save my name, email, and website in this browser for the next time I comment. I found that with very simple manipulations, with a very simple pedal, all of the sudden the guitar for me was finding a lot of very new sonic possibilities. Just around the time when the 1990s came, pretty much everyone thought that the electric guitar has been taken to extremes and that no one will ever find anything new to do with it after the 1980s shredders pushed the limits. What’s more, we have that classic “fuzzy” and “wooly” tone that’s typical for Orange amps. These cabs are well-known for managing to reproduce those bottom-ends, which is not a surprise with large 12-inch speakers. Tom got this guitar in 2002, around the time he was starting the whole Nightwatchman thing. A comprehensive guide to Tom Morello amp settings and tone, covering his guitars, amps and effects up through the Audioslave years. Enter another longtime mainstay of Tom Morello’s—a run-of-the-mill 1982 Fender Telecaster coined “Sendero Luminoso.” He wanted to start writing/performing songs in drop-D tuning, but all of his other guitars at the time had a locking nut, so he traded his roommate for the Tele and Morello had to part ways with a 50-watt Marshall. Boss is actually the first manufacturer in history to make a pedal-sized digital delay. Once again, there’s no definitive info on whether he still has one of these or not. Tom didn’t use it that often, but we could see him playing it live on RATM shows for “The Ghost of Tom Joad”. Of course, this is once again due to the caption on the instrument, which is tightly connected with Tom’s political messages in music. Finish: Cherry red. Basically, if you click on a product link on this site and buy that product we get a small commission at no extra cost to you. Tom Morello (born May 30, 1964) is a Grammy Award-winning American guitarist best known for his tenure with the bands Rage Against the Machine, Audioslave, his acoustic solo act The Nightwatchman, and his newest group, Street Sweeper Social Club. Having music with a strong message was something that Tom Morello and Rage Against the Machine always strived for. The story goes that this guitar picked up a local Koren radio station signal in the studio, which is what ended up as a part of the “Sleep Now in the Fire” song. Their self-titled album is probably one of those few that I can think of as perfect from start to finish. The bass side of the body is completely black, while the treble side is completely red and features a black pickguard. GroundGuitar is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. It seems that Tom hasn’t done any modifications to it. It’s as simple as it gets. [Tom Morello Interview by Chris Kies, Premier Guitar December 16, 2008]. And instead of just lowering the price of the DD-2, Boss officially went with a new digital delay pedal. It’s pretty well-known by now that Tom is a Marshall guy. Additionally, it’s really robust, offering a reliable package in the longer run, especially for touring purposes. This program is designed to provide a way for websites to earn advertising fees by linking to Amazon. Tom likes keeping the old stuff that he got back in the day, telling us that he’s quite a sentimental musician and a guitar collector. In Tom’s case, we’re talking about an SG-style solid-body guitar with a few distinctive features of its own. Most of his main guitars are low-end models, often scrapped together and assembled by Tom himself – like the Arm the Harmless guitar which he used in the Rage Against the Machine. Interestingly enough, he actually used this cheap instrument in the studio for RATM’s “Tire Me”. He was ranked #26 in Rolling Stone’s list of the “100 Greatest Guitarists of All Time.”. However, they had some solid-body electric guitars, like the Breadwinner model. But despite not being anything spectacular in terms of versatility, the pedal’s unique processing has become really popular, both among professionals and enthusiasts. As Tom usually does, he customized its looks, including a sticker that says “Sendero Luminoso”, which is the name of an insurgent group in Peru and it translates to “Shining Path”. Pro Play This Tab. Here’s where he began playing folk-rock stuff and used this completely new music to continue working on the political message. As Tom became more serious about playing he decided it’s time to invest some money in a better guitar. Finish: Custom black and red. The guitar also features a pretty fitting binding on the body edges and the fretboard, which also goes perfectly with its trapezoid inlays. Tom Morello is no exception to this traditional rule. While the instrument originally featured three Fender Noiseless single-coil pickups. Used for doubling guitars/recording multiple tracksed on Audioslave’s ‘Revelations’ album, Ordinarily, I’m very militant; I only want to use my crappy old setup. But being the way he is, Tom swapped the bridge pickup and added a Seymour Duncan Hot Rails humbucker. Tom used this guitar as his main during the RATM era for the standard tuned songs, and retired it around 2002 as he started playing with Audioslave. Brendan, of course, has tons of amps and gear. Later on, he brought it with him and used it for practicing during the time he was enrolled at Harvard University around 1982, and continued using it after moving to LA in 1986. However, there’s also a knob that sets the wave shape. He also installed a locking-nut to go with the black Ibanez Edge tremolo bridge. The Tom Morello “Soul Power” Stratocaster – based on the modified Designer Series Strat used during his time in Audioslave – features an alder slab body with binding and a "Modern C"-shape maple neck with 9.5"-14" compound radius rosewood fingerboard and 22 medium-jumbo frets. We have bank up and down switches, while the expression pedal tweaks different parameters depending on the effect. What’s more, the DD-3 model was cheaper, which made it available to wider guitar-playing masses. Tom bought this guitar after moving to LA in 1986 at a store in Hollywood called “Performance Guitar”. This is a small and practical amp intended for practice and quiet jam sessions. Used as a backup for the Peavey cabinet. But due to some major changes in the market of electronics components at the time, the production price dropped. This is where the whole sonic experimentation began for Tom, bringing the guitar into some new and unexpected territories. Nonetheless, he used it in the studio over the years. The difference between GCB95 and GCB95F models is that the latter has Italian-made Fasel inductors, which makes them much closer to the original Cry Baby pedals from the 1960s. It features two mini-sized humbuckers, a 3-way switch, an active electronics switch, and a hardtail bridge. A 1993 Melody Maker live review of a Rage Against The Machine gig, said "Guitarist Tom Morello wears his guitar high up to wring every sound out of it. – Boss TR-2 Tremolo [Tom Morello Interview by Chris Kies, Premier Guitar December 16, 2008]. He also installed a killswitch right at the treble-side horn. Although we all remember Tom for his awesome electric guitar tricks, it’s also important to note that he has some pretty great acoustic guitars in his collection. Tom Morello. He played with the knobs on the amp to get the sound exactly where he wanted it, and he stuck with those exact same settings ever since. The guitar they made is actually pretty much identical to the GA60SCE model which has the AEQ-45 pickup/preamp system, but Tom’s guitar might have some features and specifics which we are not aware of. Years Used: Early 1980s to now There was even a mode switch that toggled between short, medium, and long modes. Tom’s Telecaster was made in the US, and features black finish, maple neck, white pickguard, two original single-coil pickups, and a six saddle bridge. Years Used: Late 1980s to now Years Used: Early 2000s to now Tom Morello: "Guitar playing has a different emphasis now – young people want to be producers before musicians" By Amit Sharma The Rage Against the Machine six-stringer and political activist talks the current landscape of guitardom, and his new Audible release, Tom Morello at Minetta Lane Theatre: Speaking Truth To Power Through Stories And Song Tom got this guitar around the time he was heading of the college, and used it with Lock Up and in the early days of the RATM. It was completely custom-built – meaning that Tom chose every single piece of it himself, even though at the time he didn’t know much about guitars – or at least none of the things related to building one. That same day, he got his hands on a Peavey cabinet to go with this amp head, Peavey’s VTM packed with four Celestion G12K-85 speakers. He went outside of his studio and used a lighter to literally burn the design of the body, exposing the white primer paint. It’s also equipped with a killswitch that completely shuts off its output signal, just like on his famous “Soul Power” Fender Strat. Tom used this Marshall as his main amp ever since 1988 when his old Marshall was stolen from his van. He acquired this Tele somewhere at the very end of the 1980s from his roommate by trading his Marshall amp head for it. Now, as Tom Morello releases a new photobook spanning his three-decade career, he shares memories of obsessive practice, bad gigs and nights behind bars… Kid Rock “As a kid, I had a little acoustic guitar that I probably plucked Smoke On The Water on. But the story of his stolen gear and going to the guitar tore to get a new amp back in the 1980s has more to it. Since he’s a lover of the good old stuff, it comes as no surprise to see the classic Phase 90 by MXR in Tom’s arsenal. I tried one of his Vox AC30 reissues and it sounded amazing. Years Used: 1990s to now [Tom Morello – Science Friction; GuitarWorld]. And it’s important to note that Tom still has the original WH-1 model and has been using the same exact pedal for all these years (which comes as no surprise). This song felt like the perfect storm for Tom Morello to join in and rip the sound waves apart with his guitar. He even wrote a song about it called “Black Spartacus Heart Attack Machine”. The legendary “Arm the Homeless” guitar takes us all the way back to 1986 when Morello ordered it from a Hollywood, CA-based guitar shop. You can use either a completely square-shaped wave that turns the signal on and off abruptly or a triangular one that does it gradually. It’s not certain when Tom actually got one of these, but he uses it for backstage practice and warmups. They were produced for a short period of time in the 60s in Japan, and sold in the US mostly alongside Teisco guitars. He also has another Ibanez model in his collection, the Talman which was custom-built for him. In case you want to talk to me privatly, please use the contact form and I will get back to you as soon as possible. Tom Morello (born Thomas Baptist Morello in May 30, 1964 in New York City, NY) is a Grammy Award-winning American guitarist of the bands Rage Against the Machine, Audioslave, and Prophets of Rage.He performs as a solo acoustic artist under the pseudonym The Nightwatchman. Introduced in 1983, one of the pedal’s biggest advantages for its time was the ability to have delay times of up to 800 milliseconds. This tailpiece is known for having fine tuners on it. The duo is paying tribute to late Gang Of Four guitarist Andy Gill with this new cover. However, Tom tweaked this guitar as well, adding a Kahler double-locking bridge to it in the first half of the 1980s. However, having the same guitar cabinet and blasting it loud for both studio sessions and live shows takes its toll on the speakers. All of the amps have their Marshall logos covered in black tape. The guitar is completely stock except for the pickguard which was removed. It seems that Tom really likes putting his own stamp to guitars as he also modified one of his Fender Aerodyne Stratocasters as well. I was born and raised in Western Pennsylvania. We can also see binding on the body edges, both in the front and the back, as well as binding on the fretboard. During his time in Rage Against the Machine, it became the main guitar for all the stuff in drop D tuning. Tom Morello Interview by Chris Kies, Premier Guitar December 16, 2008, Tom Morello – Science Friction; GuitarWorld. However, with a player like Tom Morello, we can easily check out all the important elements that make one. Finish: Cherry red. He calls it the “Taco Bell” Les Paul. But at that age, I had no ambitions beyond jumping around on the sofa with it. Another sticker behind the bridge shows couple of Kenyan people holding a sign which says “Go Home Honestly, We Hate You”. Additionally, DD-2 was also the first-ever digital effect pedal by Boss. Used by many other guitar legends, this simple phaser features only one parameter knob that controls. This is one of the longest-lasting products by Dunlop and Tom uses the same one that he got in the 1980s. He also removed the original pickups and installed the EMG 85/EMG H set. This is the pedal that found its way into the legendary solo in RATM’s “Killing in the Name”. By this point, it’s obvious that he likes to keep things simple, which makes this pedal pretty much a perfect addition. In this, the first of a MusicRadar series called All-Star Gear, we spoke with Tom Morello about his famed Arm The Homeless guitar and Marshall/Peavey rig. This pedal is no longer present on his pedalboard. This is yet another old model, although it’s a small combo with just one 10-inch Celestion speaker (presumably a G10L-35 model). Years Used: Late 1990s to now In this review we look at Tom Morello's Masterclass, how it's structured, and whether or not it would be a good fit for beginners. Acquiring it back in the early 1980s, the E2 Explorer was a somewhat unusual guitar with a golden finish and a 5-piece body made out of maple and walnut laminate wood. My background is in Electrical Engineering earning a Bachelor’s degree from Youngstown State University and with my engineering experience I’ve developed as a designer of guitar amplifiers and effects. Just ecently, Morello purchased a backup cabinet identical to this one since his old cab started to get a little tired after being used since 1988 or so. Valued $100, young Morello split the costs with his mother. Another very interesting thing is that the amp has a CabSim output. I was quite a Rage fan when I was younger. What’s more, this was the first commercially sold electric guitar with active electronics. Tom’s “in-your-face” kind of tone comes from his main amp, the JCM800 2205 head. Guitar Lobby is a participant in the Amazon Services LLC Associate Program. The guitar originates from Tom’s roommate, who at the time played in a band called “Liquid Jesus” and was in need of an amp. However, we have a smaller one, the Marshall Lead 20 5002 amp, that comes with a total of 20 watts of power. The guitar is decorated with couple of drawings of a hypo done by Tom himself (it is supposedly the only he could draw, and he only knew how to draw them facing the left side). Years Used: Early 2000s to now This is a pretty stylish instrument, and you don’t often see a Les Paul with this finish. Although the GA60SCE nylon-string came with the AEQ-45 preamp and pickup system, it’s not certain what exactly Tom has going on in there. The reason behind that was I had to record a demo for my band on the weekend and all my gear got stolen out of my van. This pedal was introduced in 1986 as a continuation of the DD-2 model. For Morello, the instrument has a lot of sentimental value and he still keeps it in his collection, despite not staying in tune that well (at least according to his words). But at the same time, it manages to get clarity in mids and higher-mid areas. 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